Vol. 92 • No. 2 (2020)
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Vol. 92 • No. 2 (2020)
Published December 15, 2020
Editorial
Philip V. Bohlman, Federico Celestini
117–19
Editorial: Reckoning with Musicology’s Past and Present
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Articles
Océane Boudeau
120–34
Les livres liturgiques de la Chartreuse d’Évora (Portugal) témoins de la constitution d’un fonds cartusien et des changements dans la liturgie cartusienne à la fin du XVIe siècle
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Vadim Rakochi
135–59
“L’orchestration mouvante” du Concerto pour piano de Schumann: genèse et perspectives
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Pekka Metso, Jenni Hakkarainen
160–79
New Hymns for an Ancient Tradition: National, Pedagogical, and Apologetic Motivations of the First Finnish Orthodox Spiritual Songbook (1939)
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Francesco Finocchiaro
180–99
Aporias of Film Restoration: The Musical Documents of the Silent Era between Film Philology and Market Strategies
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Billy Badger
200–213
“And This Is How New Music Is Made”: Stefan Paul Goetschs Hate Loops im Rahmen der Neuen Musik
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Additional Journal Content
International Musicological Society
214–17
Abstracts and Contributors
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International Musicological Society
Cover, Table of Contents, and Masthead
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